Anyway - OZrathbone wrote:Right, I’m back.
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But I want to start with OZ magazine. One of the people who contacted me wanted to know what this OZ magazine was that I kept referring to. So I did a straw poll of the boys in the bar-room. Nobody under 55 had a clue, so it probably follows that most of you reading this don’t know either.
I used to buy OZ regularly throughout the sixties and early seventies and, unlike so many other things, didn’t throw them away. Consequently I still have 44 out of the 48 issues. For something that cost 2/6 (15p) at the time they have been a good investment. Some of them now change hands for several hundreds of pounds. Just out of interest, I read through them again over the holiday period and was struck by (i) how good the quality of the writing was and (ii) how relevant much of it was to today (or looking at it the other way, how little things really change). Fortunately none of it was copyright. The actual wording in the magazines is “The contents of OZ are not copyright. They may be reproduced in any manner, either in whole or in part, in any publication whatsoever, without permission from the publishers”. If only all publications were so accommodating. So I’m going to bombard you over the next few weeks with some creative hippy writing.
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Oz magazine was originally started up in Australia by Richard Neville and Martin Sharp in the mid sixties as the australian equivalent of Private Eye. Then, in 1967, they both moved over to London and decided to publish it here.
I don’t have a copy of OZ 1, but have seen it in reproduction. It was just like Private Eye. It had a small print run and didn’t sell all that well. As a result there are very few copies about. In fact over the last decade only two copies have come on to the market. One sold for £1,300, the other for £1,500.
I started buying it with OZ 2. It was obvious that they had realised that they couldn’t compete with Private Eye.The driving force for change was clearly Martin Sharp, who was a talented graphic designer.

OZ 2 is a bit of a hybrid, with most of it being fairly conventional, but the last eight pages folding out into a psychedelic portrait of Harold Wilson by Sharp.
One of the main articles is by Malcolm Muggeridge, who at that time was Rector of Edinburgh University: “ I intensely dislike the way the world is going. Putting it in its simplest terms, the world is going in the direction of what is called the American way of life. This is what everyone wants and what the whole world is going to have. It’s not the higher standard of living itself. It’s the method whereby it is achieved and sustained that makes people’s lives spiritually less rich, the method being primarily to subordinate everything to production, to accept this mysterious thing, the gross national product, as a sort of deity and then to build up this terrible structure of advertising and mass communication to ensure that the pot is kept boiling. There is a great fallacy of our time, that if you can raise the standard of people’s consumption you automatically enrich people’s lives. Not so. The most barren and wretched place in the world I’ve ever visited is California, which also happens to have the highest standard of life and education.”

































